This morning I took Daphne out and she ran around like crazy and then vomited up her breakfast and ate it, and David came downstairs and told me he is sick and would like me to take him to the doctor, and both of the boys had upset stomachs after breakfast and we were late to school. After I dropped off John I drove up the parkway to the vet, where I had to get Daphne her heartworm pill and some topical tick and flea treatment, and on the way, of course, I looked up at the trees, which are totally bare now—winter-time trees, pretty in their brown and skeletal way, but necessarily suggestive of a certain way of being, a certain mood, a certain pain, even, in my fingers and toes. I remembered only three weeks ago, when I drove up the highway and looked up at the same trees and saw them covered with red and gold leaves hanging on by little vegetal threads, and thought to myself, myself being, apparently, a mournful, desolate soul, how beautiful the leaves were, but how all this beauty would soon be gone, and winter, which I dread, would be upon us. This morning I was able to occupy both times, the time of beauty and dread, three weeks ago, and then this morning, when the sun shone on the bare curling branches. I thought, I didn’t want it to happen, but it happened anyway. Oh, well.

I walked into the kitchen, said something to Henry, looked at the headlines in the newspaper, and felt a sense of dread steal over me. It’s still here. I thought, by going through everything I looked at and thought about, by doing some detective work, that I would be able to identify the cause and defang the dread, but I haven’t. It remains, and it remains mysterious. I went over the paper, to see if it was something there, but I can’t imagine that the dollar’s descent to parity with the Canadian dollar or even the Mets’ spectacular flameout, unsettling though they are, is responsible for this. It could be the war, of course, but it's not.

We can go a little deeper, we can get personal, it could be my visit with my parents last night, which wasn’t ideal, or my mistaking when Henry’s tennis classes started and causing him to miss the first two sessions, or the fact that I tried to tidy up the house last night and realized that I live in a pigsty shit-hole, or the embarrassment I felt at the end of my tennis lesson, when I almost vomited on the court, or the more private shame of slipping on the bathmat, failing, over several long seconds, to regain my balance, and falling into the tub.

While I try to get to the bottom of this mystery, or better yet, while I don’t, I’ll mention that I’m reading the new Junot Díaz book, The Brief Wondrous Life of Oscar Wao. So far my favorite thing about the book is that fact that, with big chunks of it in Spanish and other parts referencing sci-fi stuff I know nothing about, I can barely understand some of what I’m reading. Incomprehensibility, I think, is totally underrated as a literary technique. Not only is it realistic, a tool for representing the life we currently (slang, cell phones, channel-surfing) and kind of eternally (born into history, unable to maintain focus or consciousness) lead, it shows you, again, what writing can do: Writing brings you the pieces, the parts, and you work to make it whole, to solve the mystery. Or you don't.

Saturday morning John and I sat on the bathroom floor, me in my bathrobe, him naked and wrapped in a towel and waiting to vomit again. I was sorry he was vomiting, and he was really sorry he was vomiting, but at the same time it was cozy together on the cold tile floor. He knew I loved him, and I knew I loved him, too. Later we both fell asleep in the playroom and were woken when he vomited on my chest. This is the easy part of being a mother.